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Open Monday to Saturday

Gallery Hours:
11 AM – 4 PM
The Gallery Café:
11 AM – 3 PM

76 Fairford St.W.
Moose Jaw, SK S6H 1V1

T 306.693.7600
TF 866.693.7600

Creating this Website

Creating this website felt like creating a work of art – and that is exactly what we feel this website has become as we share the stories of Yvette Moore, her family and all the artisans we showcase in our incredible historical building. Take your time as you browse through all the pages and especially the videos of 11 of our artisans as they welcome us all into their studios and display the passion of what makes them create their works, tell their stories. With the support of Tourism Saskatchewan, we feel that we have accomplished what we were striving for – to educate our viewers about the creative space that our artisans live and breath in as they passionately hand make their works of art.

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Standing Strong

Since the 1880’s, the traditional wood grain elevator has been an icon doting the skyline of the prairies. By the 1930’s, over 3200 elevators had been built. In 1999, only 304 remained.

This Saskatchewan Wheat Pool elevator was the second elevator built in Spring Valley. The first one was built in 1925 but was destroyed by fire on August 22, 1963. The elevator in this painting was moved from Pickthall as soon as the site was cleaned. This elevator opened for business in the early fall of the same year and remained open till 1985. In the 1986, the rail line was lifted.

This elevator was privately owned and used for grain storage until August, 24th, 2016 when it was destroyed by fire.

Giclée on Canvas

Image sizes are 3 in total: one of each of  20″ x 15″ or of 30″ x 24″.

Giclées are only available framed and the price is based on the frame chosen.

 

 

Send an Inquiry

The selection and price of each piece can vary as they are ever-changing.

Please call (306) 693-7600 or text (306) 527-7257 for a virtual catalogue of current options and availability.

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Description

An Yvette Moore Giclee Print image is generated from a high resolution digital scan of the original painting and is printed with archival quality inks onto canvas or watercolour paper. The canvas is acid-free with a varnish finish designed for long-term, fade resistant fine art. The watercolour paper is made of 100% cotton linters with traditional matte finish also designed for long term, fade-resistant reproductions.

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