Yvette Moore Gallery Logo
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Open Monday to Saturday

Gallery Hours:
11 AM – 4 PM
The Gallery Café:
11 AM – 3 PM

76 Fairford St.W.
Moose Jaw, SK S6H 1V1

T 306.693.7600
TF 866.693.7600

Creating this Website

Creating this website felt like creating a work of art – and that is exactly what we feel this website has become as we share the stories of Yvette Moore, her family and all the artisans we showcase in our incredible historical building. Take your time as you browse through all the pages and especially the videos of 11 of our artisans as they welcome us all into their studios and display the passion of what makes them create their works, tell their stories. With the support of Tourism Saskatchewan, we feel that we have accomplished what we were striving for – to educate our viewers about the creative space that our artisans live and breath in as they passionately hand make their works of art.

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Full Steam ahead

Steam Locomotive #5093 was built in 1918 by the Montreal Locomotive Works Ltd. It is a Pacific-type locomotive, 75 feet long and weighs 287,500 pounds, or slightly more than 143 tons. While operative, it hauled passenger trains to various parts of western Canada, including Regina. Its last trip was on August 25th, 1960, when it completed a run from Swan River, Manitoba to Regina, a distance of 242 miles. On this final run the locomotive hauled five cars. Thirty-five passengers also made the trip.

The Regina Plains Museum purchased the locomotive from the C.N.R. in 1964. The locomotive was refurbished in 1995 and moved to Union Station (Casino Regina).

Watercolour Giclée’s are available in 10″ x 14″ or 16 x 22″ image size and are only available framed.

The price is based on the size of the giclée and the frame chosen.

Send an Inquiry

The selection and price of each piece can vary as they are ever-changing.

Please call (306) 693-7600 or text (306) 527-7257 for a virtual catalogue of current options and availability.

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Description

An Yvette Moore Giclee Print image is generated from a high resolution digital scan of the original painting and is printed with archival quality inks onto canvas or watercolour paper. The canvas is acid-free with a varnish finish designed for long-term, fade resistant fine art. The watercolour paper is made of 100% cotton linters with traditional matte finish also designed for long term, fade-resistant reproductions.

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